Cue the Angelic Choir.
Veritas/Lee Valley ran a free shipping special recently that I could not pass up. I've complained before about my lack of a quality marking gauge. Finally, at long suffering last, I bought the Veritas dual marking gauge.
I've used this marking gauge about a half dozen times at trade shows and mooching from fellow woodworkers. I have recommended this to others based on scant experience, yet remarkable performance. Now I have put my money where my mouth is. I may do a formal review of the device after using it for a time.
The blog side of Great Lakes Wood Shop. Unlike most woodworking blogs, this one is primarily meant to show my foibles and successes as I continue to develop fine woodworking skills. Suggestions are welcome.
Sunday, September 30, 2012
Monday, September 24, 2012
I Sinned In The Cathedral
I had to make two small panels for a wooden train play table. You would think that gluing some planks together would not generate much controversy, but you would be wrong. There are actually three camps when it comes to panel glue up.
The first camp is the Power Tool Brigade. Their well ordered encampment is segregated by regimental colors of muted yellow, battleship grey, and verdant green. Other lesser companies lend their guidons and pennants to the landscape. In lockstep unison they declare that panels should be chosen strictly for appearance in the final product. The panel manual has standard procedures for a machine to subdue all possible wood grains.
The second camp is filled with the Hand Tool Knights. Their tented pavilions snug the undulating countryside disturbing the native flora and fauna in the least way possible. Retainers and vassals surround each pavilion according to their pledges of fealty. Through oral tradition and a small body of written work, the panel philosophy is shared: panels should always be assembled with grain going in the same direction. Uniform grain means uniform labor to the tools. The wood will sing for itself to the right soul.
The third camp is shrouded in mysticism and indeed is more cult than camp. The Samurai Ninja Templars offer what at first glance is the same advice as the Power Tool Brigade, that panels should be chosen based on appearance. The difference is in the selection process. Those ascended to the SNT ranks painstakingly commune with wood seeking out the perfect form it would like to participate in. Their deep insight into the tools and medium instill the certain knowledge that they can coax the form out of the wood no matter what grain problems exist.
My sin is that I could not commit to one of the camps. I chose the orientation of panel components based on appearance. However, I don't own machines wide enough to subdue a glued 20" panel; nor do I have enough mad skills at hand planing to deal with wandering grain patterns. I ended up with two panels that were a real bear to plane. The goal was for a surface that showed hand planing in order to 'prove' hand made work. Let's call it "80% planing". The end result is more like 60%. On the plus side, my block plane got one heck of a work out trying to cure my ills.
Here is the panel that gave me the most trouble. I know there is not much detail in the web version of the picture.
The ultimate solution was sand paper. More on the train table in future posts.
The first camp is the Power Tool Brigade. Their well ordered encampment is segregated by regimental colors of muted yellow, battleship grey, and verdant green. Other lesser companies lend their guidons and pennants to the landscape. In lockstep unison they declare that panels should be chosen strictly for appearance in the final product. The panel manual has standard procedures for a machine to subdue all possible wood grains.
The second camp is filled with the Hand Tool Knights. Their tented pavilions snug the undulating countryside disturbing the native flora and fauna in the least way possible. Retainers and vassals surround each pavilion according to their pledges of fealty. Through oral tradition and a small body of written work, the panel philosophy is shared: panels should always be assembled with grain going in the same direction. Uniform grain means uniform labor to the tools. The wood will sing for itself to the right soul.
The third camp is shrouded in mysticism and indeed is more cult than camp. The Samurai Ninja Templars offer what at first glance is the same advice as the Power Tool Brigade, that panels should be chosen based on appearance. The difference is in the selection process. Those ascended to the SNT ranks painstakingly commune with wood seeking out the perfect form it would like to participate in. Their deep insight into the tools and medium instill the certain knowledge that they can coax the form out of the wood no matter what grain problems exist.
My sin is that I could not commit to one of the camps. I chose the orientation of panel components based on appearance. However, I don't own machines wide enough to subdue a glued 20" panel; nor do I have enough mad skills at hand planing to deal with wandering grain patterns. I ended up with two panels that were a real bear to plane. The goal was for a surface that showed hand planing in order to 'prove' hand made work. Let's call it "80% planing". The end result is more like 60%. On the plus side, my block plane got one heck of a work out trying to cure my ills.
Here is the panel that gave me the most trouble. I know there is not much detail in the web version of the picture.
The ultimate solution was sand paper. More on the train table in future posts.
Friday, September 7, 2012
Dammit, Jim! I'm a doctor not a carpenter!
Several years ago I made a child's play table with a wooden train set for a charity auction. Aside from scout derby cars, it was my first 'public' work. At the time there were some joinery challenges I had not faced before. I took my time and produced a passable product. The play table was a big hit at the auction.
Fast forward to the present day. I've been asked to make another table for this year's auction. The original design is old hat by now so I decided to make a few upgrades for more aesthetic appeal.
Unfortunately, familiarity really does breed contempt. Last night I was preparing the boards that will eventually become the end panels of the play table. Not even ten minutes into the project and I cut the wrong two inches off a board that had a knot in it. My stupidity is costing more money and time as I have to replace the board I screwed up.
Too bad I'm not really a doctor because then I could afford a real carpenter to ghost write my projects. Now I'm off to find a new board.
Fast forward to the present day. I've been asked to make another table for this year's auction. The original design is old hat by now so I decided to make a few upgrades for more aesthetic appeal.
Unfortunately, familiarity really does breed contempt. Last night I was preparing the boards that will eventually become the end panels of the play table. Not even ten minutes into the project and I cut the wrong two inches off a board that had a knot in it. My stupidity is costing more money and time as I have to replace the board I screwed up.
Too bad I'm not really a doctor because then I could afford a real carpenter to ghost write my projects. Now I'm off to find a new board.
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